• Nov 27
    Wed
    7:52pm

    Please note the gallery will be closed for Thanksgiving from Thursday, November 27th through Monday, December 2nd.

     

    LA><ART wishes everyone a happy holiday!

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    WEDNESDAY, NOV 6, 2013
    THE BRICK BUILDING
    8870 WASHINGTON BLVD.,

    CULVER CITY, CA 90232
    6:30 - 7:30PM VIP PREVIEW
    7:30 - 9:30PM SILENT AUCTION
    8:30 - 9:00PM LIVE AUCTION

    TO START BIDDING AND REVIEW ARTWORKS FEATURED IN THE AUCTION CLICK HERE

    TICKETS ARE NOW SOLD OUT!

    Please note, tickets will not be available for purchase at the event. 

    ENTRY Ticket ($125)

    SOLD OUT

    VIP Ticket ($200)

    SOLD OUT

    Bundle of 5 VIP ($750)

    SOLD OUT

    Bundle of 10 VIP ($1500)+ Curators Council Membership

    SOLD OUT


    VIP Table for 2 ($3000)+ 2 Curators Council Memberships

     

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    VIP Table for 4 ($5000)+ Collector's Circle Couples Membership


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    ARTISTS FEATURED IN THE AUCTION INCLUDE:
     Joshua Abelow, Scoli Acosta, Nick Aguayo, Eleanor Antin, Kevin Appel, Kamrooz Aram, Edgar Arceneaux, Artemio, Christopher Badger, Kelly Barrie, Martin Basher, Math Bass, Daniel Bayles, Justin Beal, Leon Benn, Colby Bird, Brice Bischoff, Joshua Blackwell, Andrea Bowers, Matthew Brandt, Heather Brown, Sarah Cain, Phil Chang, Terry Chatkupt, Fritz Chesnut, Sarah Conaway, Fiona Connor, William Cordova, Isabelle Cornaro, Mario Correa, Meg Cranston, Zoe Crosher, Daniel Cummings, Michael DeLucia, Tomory Dodge, Roy Dowell, Sam Durant, Martin Durazo, Shannon Ebner, Gardar Eide Einarsson, Sam Falls, Patricia Fernández, Dan Finsel, Kim Fisher, Morgan Fisher, Harrell Fletcher, Brendan Fowler, Bella Foster, Rinaldo Frattolillo, Charles Gaines, Tierney Gearon, David Gilbert, Laeh Glenn, Liz Glynn, Sayre Gomez, Ken Gonzales-Day, Alexandra Grant, Katie Grinnan, Iva Gueorguieva, Jen Guidi, Sherin Guirguis, Wade Guyton, Karl Haendel, Mark Hagen, Emilie Halpern, Peter Harkawik, Lyle Ashton Harris, Drew Heitzler, Matthias Merkel Hess, Leslie Hewitt, Kenyatta A. C. Hinkle, Julian Hoeber, Violet Hopkins, John Houck, Pearl C. Hsiung, Whitney Hubbs, Salomon Huerta, Jibade-Khalil Huffman, Daniel Ingroff, Alex Israel, Patrick Jackson, Steffani Jemison, Matt Johnson, JPW3, Vishal Jugdeo, Yishai Jusidman, Wyatt Kahn, Glenn Kaino, Sanya Kantarovsky, Matt Keegan, Ellsworth Kelly, Mary Kelly, Michael John Kelly, Caroline Kent, Zak Kitnick, Silvia Kolbowski, David Korty, Alexander Kroll, Joel Kyack, Thomas Lawson, Ujin Lee, Nery G. Lemus (in collaboration with Gael F. Lemus), Justin Lieberman, Chris Lipomi, Nick Lobo, Caitlin Lonegan, Michelle Lopez, Israel Lund, Shana Lutker, Euan Macdonald, Nzuji de Magalhaes, Dashiell Manley, Daniel Joseph Martinez, Rodney McMillian, John Millei, Allison Miller, Nicole Miller, Yunhee Min, Julio Cesar Morales, Rebecca Morris, Carter Mull, JP Munro, Warren Neidich, Ruby Neri, Kori Newkirk, Amir Nikravan, Jed Ochmanek, Chris Oliveria, Edgar Orlaineta, Arthur Ou, John Outterbridge, Paul P., Paul Pescador, Kelly Poe, William Powhida, Ana Prvacki, Orit Raff, Marcos Ramirez, Noam Rappaport, Michael Rashkow, Heather Rasmussen, Sean Raspet, Scott Reeder, Joe Reihsen, Isaac Resnikoff, Michael Rey, Robert Reynolds, Laura Riboli, Marco Rios, Miguel Angel Rios, Jesse Robinson, Michelle Ross, Miljohn Ruperto, Ed Ruscha, Maha Saab, Asha Schecter, Betsy Lin Seder, Anna Sew Hoy, Brian Sharp, Lisa Sigal, Ryan Sluggett, Lucien Smith, Matt Sheridan Smith, Luke Stettner, Henry Taylor, Alexis Teplin, Samantha Thomas, Tam Van Tran, Cody Trepte, Mary Weatherford, Jennifer West, Pae White, Kehinde Wiley, Jesse Willenbring, Brian Wills, Jonas Wood, Aaron Wrinkle, Ulli Wulff, Rosha Yaghmai, Samira Yamin, Bruce Yonemoto, Nate Young, Bari Ziperstein, Robert Zung
    u

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    Office Hours are occasions for extended in-person dialogues between artists and their publics. Taking from the academic tradition of “office hours,” participating artists offer scheduled one-on-one meetings to follow up on aspects of their work and further pursue open questions, in a setting apart from the lecture hall or classroom. As an ongoing program, Office Hours fosters reception of artistic interests through enquiry, exchange, and reflection.
     
    Individuals may sign up for one 50-minute meeting by emailing one of the available dates and times listed below to: officehours@laxart.org. All meetings are held at LA><ART. The program is free and open to all publics.
     
    Fall 2013 participating artists and hours of availability:
     
    John Houck

     
    John Houck works with photographic materials and engages in architectural interventions, in both cases focusing on the relationship between embodied perception and depiction. Houck’s background in computer programming, architecture and photography equip him with extensive knowledge of diverse codes used to generate images. Houck employs such codes – intentionally disrupting their more advanced functions through simple repetition and recursive processes – to create new interstitial sites of resistance. His work examines a practical and real understanding of the digital systems that order our contemporary experience, and furthermore, the ability to reclaim pervasive systems for intentions at once poetic and defiant.
     
    John Houck has an MFA from UCLA, he was a studio participant in the Whitney Independent Study Program in 2010, and attended The Skowhegan School of Painting and Sculpture in 2008. Houck’s work was recently included in the group exhibition “Lens Drawings” at Marian Goodman in Paris, and the artist has solo exhibitions this Fall at On Stellar Rays in New York and Max Wigram in London.

    Available appointments with John Houck:

    Saturday, October 19, 2013 2pm – 2:50pm 3pm – 3:50pm 4pm – 4:50pm

    Office Hours is organized by Eric Golo Stone, Adjunct Curator of Discursive Programs at LA><ART.

  • View Event >

    Office Hours are occasions for extended in-person dialogues between artists and their publics. Taking from the academic tradition of “office hours,” participating artists offer scheduled one-on-one meetings to follow up on aspects of their work and further pursue open questions, in a setting apart from the lecture hall or classroom. As an ongoing program, Office Hours fosters reception of artistic interests through enquiry, exchange, and reflection.
     
    Individuals may sign up for one 50-minute meeting by emailing one of the available dates and times listed below to: officehours@laxart.org. All meetings are held at LA><ART. The program is free and open to all publics.
     
    Fall 2013 participating artists and hours of availability:
     
    K8 Hardy
     
    K8 Hardy is a New-York-based artist, one of the founders of the queer feminist art collective LTTR and creator of the cult zine fashionfashion. In her work Hardy often uses fashion as a material to sculpt, photograph, and produce performances interchangeably and simultaneously, creating a new genderqueer vision.
     
    Hardy has directed music videos for groups including Le Tigre, Lesbians on Ecstasy, and Men. She has exhibited her work and performed internationally at numerous venues including MoMA PS1 and Artists Space in New York; The Tate Modern, London; Galerie Sonja Jünkers, Munich, Germany; Balice Hertling in Paris; and Dallas Contemporary, Dallas. Her work is included in the permanent collection of the Whitney Museum of American Art, New York, and was featured in the Whitney's 2012 Biennial. Hardy's artistic practice spans a variety of genres and media, including video, photography, sculpture and performance, and responds to issues surrounding identity, image commerce, branding, and gender power.
     
    K8 Hardy's participation in Office Hours is realized in collaboration with the USC Roski MA Art and Curatorial Practices in the Public Sphere and MFA programs.
     
    Available appointments with K8 Hardy:

    Saturday, October 19th, 2013 11am – 11:50am  12pm – 12:50pm

    1pm – 1:50pm

     

     


    Office Hours
     is organized by Eric Golo Stone, Adjunct Curator of Discursive Programs at LA><ART.

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    Artist & designer Bari Ziperstein will lead a clay bead-making workshop for necklaces and wall hangings! Kids will explore design, color, textures and pattern with model magic air-drying clay, clay tools, and twine.

    Bari Ziperstein’s practice draws attention to the way built environments relate to desire and aspiration through meticulously constructed sculptural ceramic objects.

    Bari Ziperstein is currently the Visiting Assistant Professor of Sculpture at University of CA at Riverside and has taught at Cal Arts, California State Summer School for the Arts and University of CA at San Diego. She obtained her BFA from Ohio University and her MFA from Cal Arts.

    RSVP to: info@laxart.org

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    Join Edgar Arceneaux and Kevin Krapf serving as U.S. Embassy Cultural Attache to Sao Tome and Gabon, Africa in a discussion moderated by Sue Bell Yank to discuss the potentials and risks for social practice in 21st century U.S. cultural diplomacy. 

    Thursday August 1st
    7 PM 
    Limited seating 
    RSVP at info@laxart.org

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    Office Hours at LA><ART

    Office Hours are occasions for extended in-person dialogues between artists and their publics. Taking from the academic tradition of “office hours,” participating artists offer scheduled one-on-one meetings to follow up on aspects of their work and further pursue open questions, in a setting apart from the lecture hall or classroom. As an ongoing program, Office Hours fosters reception of artistic interests through enquiry, exchange, and reflection.
    Individuals may sign up for one 50-minute meeting by emailing one of the available dates and times listed below to: officehours@laxart.org. All meetings are held at LA><ART. The program is free and open to all publics.
     
    Participating artists and hours of availability:
     
    Fiona Connor
     
    Fiona Connor’s installations typically present collections of objects or structures quoted, at one-to-one scale, from pre- existing architectural systems. Recent projects have documented vernacular structures from outside the gallery, while others explore the architecture and display mechanisms of the museum itself. Connor’s work explores, within a sustained dialogue between location and representation, how specific environments condition our perception of objects. 

    Fiona Connor completed her BFA/BA at University of Auckland’s Elam School of Fine Arts in 2004. She has studied at University of California in San Diego and University of Barcelona, and most recently completed her MFA at California Institute of the Arts (CalArts) in Los Angeles, where she is currently based. Recent solo exhibitions include: Bare Use, 1301PE, Los Angeles (2012); Mount Gabriel, Ruby and Ash, Hopkinson Cundy, Auckland (2011); Untitled (Mural Design), Dunedin Public Art Gallery, Dunedin (2012); Murals and Print, Various Small Fires, Los Angeles (2012); Reading the map while driving, CalArts, Los Angeles (2011); Something Transparent (please go round the back), Michael Lett, Auckland (2009); and Notes on half the page, Gambia Castle, Auckland (2008). Connor’s work has been shown in group exhibitions including: Made in L.A., Hammer Museum, Los Angeles (2012); Prospect: New Zealand Art Now, City Gallery, Wellington (2011); De-Building, Christchurch Art Gallery, Christchurch (2011); On Forgery: is one thing better than another?, LAXART, Los Angeles (2011); NEW10, Australian Centre for Contemporary Art (ACCA), Melbourne (2010).

    In 2011 Connor received an Award for Patronage donation from Chartwell Trust and the Arts Foundation of New Zealand, and in 2010 she was a finalist in the Walters Prize.

    Available appointments with Fiona Connor:

    3pm – 3:50pm, 4pm – 4:50pm, 5pm – 5:50pm 
     
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    Office Hours at LA><ART

    Office Hours are occasions for extended in-person dialogues between artists and their publics. Taking from the academic tradition of “office hours,” participating artists offer scheduled one-on-one meetings to follow up on aspects of their work and further pursue open questions, in a setting apart from the lecture hall or classroom. As an ongoing program, Office Hours fosters reception of artistic interests through enquiry, exchange, and reflection.
    Individuals may sign up for one 50-minute meeting by emailing one of the available dates and times listed below to: officehours@laxart.org. All meetings are held at LA><ART. The program is free and open to all publics.
     
    Participating artists and hours of availability:
     
    Phil Chang
     
    Phil Chang received his MFA from The California Institute of the Arts and his BA from the University of California, Irvine. He has had solo exhibitions at LAXART and Pepin Moore. His work has been exhibited in group shows at Marlborough Chelsea, Renwick Gallery, and The Swiss Institute. His work has been written about in ArtforumThe New Yorker, the Los Angeles Times, Artforum.com, and has appeared in Aperture and Blind Spot. In 2010, Chang completed Four Over One, an artist’s publication that is published by the Los Angeles County Museum of Art in association with Textfield, Inc. Chang’s curatorial projects have included Affective Turns?, a group exhibition that he organized in March 2012. He is currently visiting faculty in the Department of Art at UCLA and a lecturer at Otis College of Art and Design. Phil Chang lives and works in Los Angeles.

    Available appointments with Phil Chang:

    Saturday, July 27, 2013
    12pm – 12:50pm, 1pm – 1:50pm, 2pm – 2:50pm

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    Office Hours at LA><ART

    Office Hours are occasions for extended in-person dialogues between artists and their publics. Taking from the academic tradition of “office hours,” participating artists offer scheduled one-on-one meetings to follow up on aspects of their work and further pursue open questions, in a setting apart from the lecture hall or classroom. As an ongoing program, Office Hours fosters reception of artistic interests through enquiry, exchange, and reflection.
    Individuals may sign up for one 50-minute meeting by emailing one of the available dates and times listed below to: officehours@laxart.org. All meetings are held at LA><ART. The program is free and open to all publics.
     
    Participating artists and hours of availability:
     
    Jennifer Pastor
     
    Jennifer Pastor’s practice has consistently explored a dialogue with surroundings that implicate and entangle the observer and observed, as well as structure where the built and enacted environment confound notions of bodies in space.
     
    Her exhibition of a new sculpture, Endless Arena (2009-2012), at Regen Projects this past April and May of 2013, was a large-scale work made of electroless nickel-plated steel and painted fiberglass. The sculpture emerged from elements of blind gesture drawings that Pastor made over a two-year period while attending unregulated “no-holds-barred” fighting event circuits. During this two-year period, Pastor was also engaged in a series of conversations with veteran combat artists, viewing and photographing acute observational drawings found in their personal collections and working sketchbooks, as well as in the National Military Archives. Endless Arena developed out of a drawn exploration of the complex situational and temporal space of the fights, which include synchronized movements and shifting dominances of bodies and structures, the spectacle of crowds, and the mediation by cameras projecting multiple viewpoints on surrounding screens. Through Pastor’s research, a pattern of relationships evolved from observing the environment of extreme spectacle at the fights, and the intimate observation of drawings by combat artists. The artist sought to synthesize and distill fragments of these observations, spaces, and experiences in to a sculptural work. Pastor considers Endless Arena an extruded drawing, an inside-out agitated hybrid, constructed from the peculiar situations and distortions of those events.          
     
    Jennifer Pastor has exhibited in major museums in the US and internationally including the Whitney Museum of American Art, New York, NY; the Museum of Contemporary Art Chicago, Chicago, IL; the Museum of Contemporary Art, Los Angeles, CA; the Louisiana Museum of Modern Art, Humelback, Denmarck; Kunstmuseum, Wolfsburg, Germany; and FRAC Bourgogne, Dijon, France. Pastor participated in the 1996 Sao Paulo Biennial, the 1997 Whitney Biennial and the 2003 Venice Biennale. Her tripartite sculpture The Perfect Ride (2003) is currently on view at the Stedelijk Museum, Amsterdam through September 22nd. 
     
    Available appointments with Jennifer Pastor
    Friday, July 26, 2013
    3pm – 3:50pm, 4pm – 4:50pm, 5pm – 5:50pm
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    Event sold out. 

    Thank you for all your support!

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    LAXART is pleased to present an event organized by Los Angeles-based artist Susan Silton in conjunction with the recent publication of her conceptual book project, Who's in a Name?

    Saturday July 13, 2013

    4-6 PM 


    The event at LAXART will consist of brief papers/presentations/readings by art historians/writers Jonathan Griffin, Natilee Harren, Michael Ned Holte, Liz Kotz, and Karen Tongson, along with readings by Who's in a Name? biographers Andrew Berardini, Sarah Lehrer-Graiwer, Stacie Martinez, Susanna Newbury, and Virginia Solomon. The event will also include a special performative work by internationally recognized artist David Lamelas, who registered the name of his friend and colleague Jack Goldstein for Silton's project.


    Signed copies of Who's in a Name? will be available for purchase at LAXART.

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    The New International Cultural Centre in Brussels is continuing LAXART's Art in the Parking Space project.

    "It tastes like shit, it is shit, want a toothbrush"

    Solo show by Aline Bouvy

    NICC Vitrine, Rue Lambert Crickx 1, 1070 Brussels

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    Window installation at LA><ART

    Aaron Wrinkle
    Studio Altar 1/ Window of Curiosity 
    found produce container with miscellaneous recycled consumer products, incense, candles, and debris
    2013

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    LA><ART PRESENTS
    FLY
    A Choreography and Digital Animation Collaboration at LA><ART
    By Flora Wiegmann and Miljohn Ruperto
     
    After a few seconds they’ve come to a tactical decision and they begin to do what they can, to buzz and try to lift themselves.
     
    For FLY, Wiegmann and Ruperto have conceived of a work that uses six performers to reenact Flypaper by Robert Musil (1880-1942). Musil's essay Flypaper painstakingly describes the struggle and incipient death of an unlucky housefly stuck upon a ribbon of flypaper. In a new adaptation, Flora Wiegmann has choreographed six dancers to move as fly appendages, reenacting the plight of Musil's creature. Pauses in the dance score open to a lenticular LCD screen. Mounted on a plinth, it displays an insectile animation mirroring the choreography. In these various registers of scale that begin with Musil’s fly, corporeal movement is staged, captured and distributed in separate approximations of size, form and life force.
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    Saturday April 13, 2013
    7:00pm
    LA><ART
    2640 South La Cienega Blvd.

    This one-hour program presents the moving image of international artists Pilvi Takala and Ahmet Öğüt. The onsite event will be followed by a discussion with audience members, the artists and LA><ART curator-at-large, Matthew Schum.

    Our retrospective look will feature the following works by each artist:

    Pilvi Takala
    Trainee
    The Real Snow White
    Players
    http://www.pilvitakala.com/

    Ahmet Öğüt
    Oscar William Sam
    Somebody Else's Car
    Things We Count
    Let It Be Known to All Persons Here Gathered
    EyeWriter/DIY/arbakir
    Guppy 13 vs Ocean Wave: A Bas Jan Ader Experience
    http://www.ahmetogut.com/

    * Image courtesy of Ahmet Öğüt; artwork commissioned by the Liverpool Biennial.
    ** Image courtesy of Pilvi Takala, Galerie Diana Stigter and Carlos/Ishikawa.

    ABOUT THE ARTISTS
    Ahmet Öğüt: (b. 1981, Diyarbakir, Turkey) Lives and works between Berlin, Istanbul and Amsterdam. Öğüt recently completed a year-long residency at the Tate and the Delfina Foundation to develop the ongoing project The Silent University (2012). Öğüt solo exhibitions include the Künstlerhaus, Stuttgart; SALT Beyoglu, Istanbul; Fondazione Giuliani, Rome; Artspace Visual Arts Centre in Sydney and Kunsthalle, Basel. Selected group exhibitions include the 7th Liverpool Biennial; the 12th Istanbul Biennial; the 4th Moscow Biennial; Performa 09 and the 5th Berlin Biennial. He is winner of the 2010 Europas Zukunft prize from Museum of Contemporary Art  Leipzig (GfZK), the 2011 Volkskrant Art Prize, and 2012 The Special Prize of the Future Generation Art Prize. Öğüt represented Turkey at the 53rd Venice Biennale with Banu Cennetoğlu.

    Pilvi Takala: (b. 1981, Helsinki, Finland) Graduated from the Finnish Academy of Fine Arts in 2006 (MFA), was artist-in-residence at Rijksakademie, Amsterdam 2009-2010 and won the Dutch Prix de Rome 2011. Her solo exhibitions include Bonniers Konsthall, Stockholm; Site Gallery, Sheffield; Künstlerhaus Bremen; Kunsthalle Erfurt, Kiasma Museum of Contemporary Art, Helsinki; Turku Art Museum; Kunsthalle Lissabon; Sorlandets Kunstmuseum, Norway. Her work has been shown in New Museum, New York; S.M.A.K., Ghent; Kunsthalle Basel; De Hallen Haarlem; Wiels, Brussels; 4th Moscow Biennial; Witte de With, Rotterdam; 4th Bucharest Biennial; 5th Berlin Biennial; 9th Istanbul Biennial and Kunsthalle Helsinki.

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    Film Screening at the Silent Movie Theater: 

    Edgar Arcenaux
    An Arrangement Without Tormentors
    I Told Jesus, Change My Name

    April 7 from 1-3 PM 

    Post screening conversation with Arceneaux, Martine Syms, and Curator Amanda Hunt

    611 North Fairfax Ave.
    Los Angeles, CA 90036

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    Office Hours at LA><ART

    Office Hours are occasions for extended in-person dialogues between artists and their publics. Taking from the academic tradition of “office hours,” participating artists offer scheduled one-on-one meetings to follow up on aspects of their work and further pursue open questions, in a setting apart from the lecture hall or classroom. As an ongoing program, Office Hours fosters reception of artistic interests through enquiry, exchange, and reflection.

    Individuals may sign up for one 50-minute meeting by emailing one of the available dates and times listed below to: officehours@laxart.org. All meetings are held at LA><ART. The program is free and open to all publics. 


    Participating artists and hours of availability:

    A.L. Steiner

    Available appointments:
    Friday, April 5, 2013
    1pm – 1:50pm
    2pm – 2:50pm
    3pm – 3:50pm
     
    A.L. Steiner uses constructions of photography, video, installation, collage, collaboration, writing, performance, and curatorial work as seductive tropes channeled through the sensibility of an activated cynical queer eco-feminist androgyne. Steiner is a collective member of Chicks on Speed, co-curator of the project Ridykeulous, a founding member of Working Artists and the Greater Economy (W.A.G.E.), and she consistently collaborates with numerous visual and performing artists. Her works have been presented internationally at venues including the Tate Modern; the New Museum; P.S. 1/MoMA; the Institute of Contemporary Art Boston; Centre Pompidou; The Kitchen; REDCAT, and the Zacheta National Gallery of Art in Warsaw. Her work is also included in permanent collections of the Museum of Modern Art, the Marieluise Hessel Collection, and the Brooklyn Museum of Art in New York. Her book Stop Onestar Press was published by Onestar Press in 2003. Steiner is currently based in Los Angeles and is faculty at USC’s Roski School of Fine Arts in the MFA, MA, and undergraduate programs.

    Please check back periodically for additional participating artists and hours of availability.

    Office Hours is the inaugural project for Discursive Programs at LA><ART. Please direct any questions regarding Office Hours or Discursive Programs to Eric Golo Stone, Adjunct Curator of Discursive Programs at LA><ART. 

  • View Event >

    Office Hours at LA><ART

    Office Hours are occasions for extended in-person dialogues between artists and their publics. Taking from the academic tradition of “office hours,” participating artists offer scheduled one-on-one meetings to follow up on aspects of their work and further pursue open questions, in a setting apart from the lecture hall or classroom. As an ongoing program, Office Hours fosters reception of artistic interests through enquiry, exchange, and reflection.

    Individuals may sign up for one 50-minute meeting by emailing one of the available dates and times listed below to: officehours@laxart.org. All meetings are held at LA><ART. The program is free and open to all publics. 


    Participating artists and hours of availability:

    Tania Bruguera

    Available appointments:
    Tuesday, April 2, 2013
    3pm – 3:50pm
    4pm – 4:50pm
    5pm – 5:50pm
     
    Tania Bruguera is a Cuban-born interdisciplinary artist working primarily in performance, installation and video. Her work researches ways in which art can be applied to everyday political life, creating public forums to debate ideas in a state of contradiction, while also challenging notions of spectatorship and participation by transforming conditions for “viewing” into those for “citizenry.” Recent exhibitions include Catch Phrases and the Powers of Language, Kunsthaus Baselland, Basel, 2012; The Tanks: Art in Action, Tate Modern, London, 2012, and Forget Fear, 7th Berlin Biennale for Contemporary Art, Berlin, 2012. Bruguera participated in Documenta 11, the Venice Biennale, and the São Paulo Bienal. Her works have also been exhibited at the New Museum; the Museum of Contemporary Art Chicago; Helsinki Art Museum; Whitechapel Art Gallery; Museum Bojimans van Beuningen, and the Museum für Moderne Kunst. Her performances have been presented at the Kunsthalle Wien, Austria; the Stedelijk Museum voor Actuele Kunst, Belgium, and the Museo de Bellas Artes, Venezuela. In 2011, Bruguera spent a year operating a community space in the Corona neighborhood of Queens, New York as part of Immigrant Movement International, a long-term project presented by Creative Time and the Queens Museum of Art. From 2003 to 2009, Bruguera was the founding director of Cátedra Arte de Conducta in Havana, the first performance and time-based art studies program in Cuba.

    Tania Bruguera's participation in Office Hours is coordinated with USC Roski's Chelle Barbour, a 2013 Master's candidate in the MA Art and Curatorial Practices in the Public Sphere program. The program emphasizes the practice and history of art, curating and critical theory. In addition to realizing an individual work of advanced research in a thesis, Master's candidates produce a curatorial practicum and related programs as a means of raising social questions about art and art's publics. Barbour's work with Bruguera precedes the artist's free open public evening lecture at USC Roski on April 3rd (7pm), at the University Park Campus, 850 West 37th Street, Los Angeles, CA 90089. 

    Special acknowledgement is extended to Connie Butler, Visiting Professor in the M.A. Art and Curatorial Practices in the Public Sphere program at the Roski School of Fine Arts at USC and Chief Curator of Drawings at The Museum of Modern Art, New York, for her efforts in making Tania Bruguera's participation in Office Hours possible.

    Other Office Hours artists and appointment dates include:

    A.L. Steiner
     
    A.L. Steiner uses constructions of photography, video, installation, collage, collaboration, writing, performance, and curatorial work as seductive tropes channeled through the sensibility of an activated cynical queer eco-feminist androgyne. Steiner is a collective member of Chicks on Speed, co-curator of the project Ridykeulous, a founding member of Working Artists and the Greater Economy (W.A.G.E.), and she consistently collaborates with numerous visual and performing artists. Her works have been presented internationally at venues including the Tate Modern; the New Museum; P.S. 1/MoMA; the Institute of Contemporary Art Boston; Centre Pompidou; The Kitchen; REDCAT, and the Zacheta National Gallery of Art in Warsaw. Her work is also included in permanent collections of the Museum of Modern Art, the Marieluise Hessel Collection, and the Brooklyn Museum of Art in New York. Her book Stop Onestar Press was published by Onestar Press in 2003. Steiner is currently based in Los Angeles and is faculty at USC’s Roski School of Fine Arts in the MFA, MA, and undergraduate programs.

    Available appointments with A.L. Steiner:
    Friday, April 5, 2013
    1pm – 1:50pm
    2pm – 2:50pm
    3pm – 3:50pm

    Please check back periodically for additional participating artists and hours of availability.

    Office Hours is the inaugural project for Discursive Programs at LA><ART. Please direct any questions regarding Office Hours or Discursive Programs to Eric Golo Stone, Adjunct Curator of Discursive Programs at LA><ART. 
  • View Event >

    Office Hours at LA><ART

    Office Hours are occasions for extended in-person dialogues between artists and their publics. Taking from the academic tradition of “office hours,” participating artists offer scheduled one-on-one meetings to follow up on aspects of their work and further pursue open questions, in a setting apart from the lecture hall or classroom. As an ongoing program, Office Hours fosters reception of artistic interests through enquiry, exchange, and reflection.

    Individuals may sign up for one 50-minute meeting by emailing one of the available dates and times listed below to: officehours@laxart.org. All meetings are held at LA><ART. The program is free and open to all publics. 


    Participating artists and hours of availability:


    Edgar Arceneaux

    Available appointments:

    Saturday, March 16, 2013

    12pm – 12:50pm

    1pm – 1:50pm

    2pm – 2:50pm


    Born in 1972, Los Angeles-based artist Edgar Arceneaux received a BFA from the Art Center College of Design and a MFA from the California Institute of the Arts. Arceneaux constructs drawings, installations and video and film works as complex arrangements of association that examine adjacencies and points of contact between implausible relations. From 1999 to 2012 Arceneaux served as Director of the Watts House Project, an artist driven neighborhood redevelopment project centered around the historic Watts Towers. He co-founded the WHP as a non-profit organization in 2009 with writer and arts organizer Sue Bell Yank. Solo exhibitions of his work have been presented at the Hammer Museum, Los Angeles; the Kitchen, New York; the San Francisco Museum of Modern Art; The Studio Museum in Harlem, and the Museum für Gegenwartskunst in Basel, Switzerland. His work was included in Marking Time at the Museum of Contemporary Art in Sydney, Australia; Mutatis Mutandis, at Secession, Vienna, Austria, and the 2008 Whitney Biennial, New York. Arceneaux is currently developing a collaborative project with the US State Department and the country of São Tomé e Príncipe, as well as a solo exhibition opening in May of 2013 at the Arts Incubator in Washington Park, a forum created by Theaster Gates as part of the University of Chicago’s Arts and Public Life initiative. He is represented by Susanne Vielmetter in Los Angeles and Praz-Delavallade in Paris.


    Other Office Hours artists and appointment dates include:


    Tania Bruguera
     
    Tania Bruguera is a Cuban-born interdisciplinary artist working primarily in performance, installation and video. Her work researches ways in which art can be applied to everyday political life, creating public forums to debate ideas in a state of contradiction, while also challenging notions of spectatorship and participation by transforming conditions for “viewing” into those for “citizenry.” Recent exhibitions include Catch Phrases and the Powers of Language, Kunsthaus Baselland, Basel, 2012; The Tanks: Art in Action, Tate Modern, London, 2012, and Forget Fear, 7th Berlin Biennale for Contemporary Art, Berlin, 2012. Bruguera participated in Documenta 11, the Venice Biennale, and the São Paulo Bienal. Her works have also been exhibited at the New Museum; the Museum of Contemporary Art Chicago; Helsinki Art Museum; Whitechapel Art Gallery; Museum Boijmans van Beuningen, and the Museum für Moderne Kunst. Her performances have been presented at the Kunsthalle Wien, Austria; the Stedelijk Museum voor Actuele Kunst, Belgium, and the Museo de Bellas Artes, Venezuela. In 2011, Bruguera spent a year operating a community space in the Corona neighborhood of Queens, New York as part of Immigrant Movement International, a long-term project presented by Creative Time and the Queens Museum of Art. From 2003 to 2009, Bruguera was the founding director of Cátedra Arte de Conducta in Havana, the first performance and time-based art studies program in Cuba.

    Available appointments with Tania Bruguera:
    Tuesday, April 2, 2013
    3pm – 3:50pm
    4pm – 4:50pm
    5pm – 5:50pm


    A.L. Steiner
     
    A.L. Steiner uses constructions of photography, video, installation, collage, collaboration, writing, performance, and curatorial work as seductive tropes channeled through the sensibility of an activated cynical queer eco-feminist androgyne. Steiner is a collective member of Chicks on Speed, co-curator of the project Ridykeulous, a founding member of Working Artists and the Greater Economy (W.A.G.E.), and she consistently collaborates with numerous visual and performing artists. Her works have been presented internationally at venues including the Tate Modern; the New Museum; P.S. 1/MoMA; the Institute of Contemporary Art Boston; Centre Pompidou; The Kitchen; REDCAT, and the Zacheta National Gallery of Art in Warsaw. Her work is also included in permanent collections of the Museum of Modern Art, the Marieluise Hessel Collection, and the Brooklyn Museum of Art in New York. Her book Stop Onestar Press was published by Onestar Press in 2003. Steiner is currently based in Los Angeles and is faculty at USC’s Roski School of Fine Arts in the MFA, MA, and undergraduate programs.

    Available appointments with A.L. Steiner:
    Friday, April 5, 2013
    1pm – 1:50pm
    2pm – 2:50pm
    3pm – 3:50pm

    Please check back periodically for additional participating artists and hours of availability.

    Office Hours is the inaugural project for Discursive Programs at LA><ART. Please direct any questions regarding Office Hours or Discursive Programs to Eric Golo Stone, Adjunct Curator of Discursive Programs at LA><ART. 

    Tania Bruguera's participation in Office Hours is coordinated with USC Roski's Chelle Barbour, a 2013 Master's candidate in the MA Art and Curatorial Practices in the Public Sphere program. The program emphasizes the practice and history of art, curating and critical theory. In addition to realizing an individual work of advanced research in a thesis, Master's candidates produce a curatorial practicum and related programs as a means of raising social questions about art and art's publics. Barbour's work with Bruguera precedes the artist's free open public evening lecture at USC Roski on April 3rd (7pm), at the University Park Campus, 850 West 37th Street, Los Angeles, CA 90089. 

    Special acknowledgement is extended to Connie Butler, Visiting Professor in the M.A. Art and Curatorial Practices in the Public Sphere program at the Roski School of Fine Arts at USC and Chief Curator of Drawings at The Museum of Modern Art, New York, for her efforts in making Tania Bruguera's participation in Office Hours possible.


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    Iván Argote
    La Estrategia, 2012
    (TRT 30:12)

    This film and video work focuses on clandestine communities founded in 1970s Bogotá by revolutionaries. Guided by a system of gnostic truths that consolidated their vision, these cellular groups applied their hermetic values in shared living situations. Their everyday reality consisted of physical and mental exercises that expressed their commitment to the collective and a way of life was intended to prepare them for the coming revolution.
     
    Traveling between Bogotà and the jungle, La Estrategia establishes a mirror community of youth in Colombia. On the basis of family folklore collected by the artist, he and his actors immerse themselves in the spirit—and occasional absurdities—of a former, more militant generation. The new group stalks their predecessors in a series of staged actions and kinetic artworks that attempt to reconstitute the past. A visual journal unfolds in vignettes made-up of asynchronous passages anchored in half-truths, historical fiction and actual events. La Estrategia searches for traces of individuals that can only be approached by seemingly futile experiments in collective action and a blind willingness to narrate a story that will inevitably remain incomplete. In this sense, the work investigates how quickly partisan ideals transform while still imposing their influence.
     
    “The strategy” seen in the footage tests how method relates to historical encounter and the provisional materials a micro community may use to mark the past.
     
    Film screening will begin promptly at 7:30 PM
    Public parking is free on La Cienega after 7 PM. 
     
    About the Artist
    Ivan Argote was born in Bogota in 1983. He holds a Master of Fine Arts degree from the École Nationale Supérieure des Beaux-Arts de Paris. Argote creates scenarios in his art that blend rebellion and absurdity. “My works are reflections on the way we behave and how we understand our environment and how our immediate surroundings relate to history, tradition, art, politics and power,” Argote says of his work. He has presented solo exhibitions at Palais de Tokyo, Paris, CA2M, Madrid and D+T Project, Brussels. The artist was included in the 30th Sao Paulo Biennale, Brazil, along with his partner, Pauline Bastard.
     

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    Barbara Bush on LA><ART by Martha Wilson
    Pitzer College Art Galleries in collaboration with LA><ART
    2640 S. La Cienega, Los Angeles, CA 90034
    Thursday, January 24, 2013 at 6:30 p.m.

    Martha Wilson's signature performance work is political satire and she is known for impersonating First Ladies Nancy Reagan, Barbara Bush and Second Lady Tipper Gore. On Thursday, January 24, Wislon will present a special performance of Barbara Bush at LA><ART. 

    In conjunction with the exhibition: Martha Wilson, January 26 – March 22, 2013
    Pitzer College Art Galleries, Pitzer College
    1050 N Mills Ave
    Claremont, CA 91711
    Presented with generous support from