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    Slanguage will be LA><ART’s educational program in-residence for an ongoing period. Founded in 2002 by Karla Diaz and Mario Ybarra, Jr., Slanguage is headquartered in Wilmington, a working-class neighborhood of Los Angeles that is part of the harbor district. Current members make artwork, curate exhibitions, coordinate events, and lead art-education workshops. A diverse group at various points in their careers, Slanguage includes teenagers, street writers, and artists of all ages. The majority of these collaborators live and work in Wilmington.

    Slanguage bases their practice on a three-pronged approach to art-making to include education, community-building, and interactive exhibitions. Focusing on art education, the collective has organized numerous artist residencies in museums across the United States and abroad. Fostering dialog about the meaning and value of contemporary art, Slanguage has used their studio space and resources to cultivate relationships between diverse artists, students, communities, and organizations. And, creating artworks that have ranged from multimedia installations to performances, public events, and workshops, the collective has enriched, inspired, and provoked viewers’ imaginations through local, national, and international exhibitions.

    Slanguage’s recent projects include Engagement Party, a three-month residency with the Museum of Contemporary Art, Los Angeles (2009); Sweeney Tate (2007) for the Tate Modern, London; and The Peacock Doesn’t See Its Own Ass/Let’s Twitch Again: Operation Bird Watching in London (2006) for the Serpentine Gallery, London. In 2009, the collective hosted workshops at the Institute of Contemporary Art, Boston, as part of the Slanguage Teen Art Council. In 2012 Slanguage took over LA><ART’s galleries for 3 months and this is a continuation of our ongoing collaboration.

    LA><ART Educational Lab is made possible with the generous support of Lisa and Leonardo Schiff.

    LA><ART Loft Gallery is made possible with generous support of Joseph Varet and Esther Kim Varet. 

     

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    VIP Preview: 6PM
    Event: 7-10PM
     
    TICKETS ARE NOW SOLD OUT!
     
    Please note, tickets will not be available for purchase at the event.
     
    VIP><VISION Table for 10: $10,000
    Includes Producer's Council Membership +
    10 Year Anniversary Edition
     
    SOLD OUT
     
    VIP Table for 4: $5,000
    Includes Collectors Circle Members
    SOLD OUT
     
    VIP Table for 2: $2,500
    Includes Collectors Circle Membership
    SOLD OUT
     
    LA><ART><10 Group: $1,000
    Includes 5 VIP tickets + Curators Council Membership
     
    Sold out
     
    VIP Tickets: $300
    SOLD OUT
     
    Individual Tickets: $200
    Sold out
     
    I would like to make a VISION Donation to
    LA><ART's 10 Year Anniversary Campaign: $10,000
     
    I am unable to attend, but would like to make a donation to
    LA><ART
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    Please join LA><ART’s Board of Directors and Founder Lauri Firstenberg
     
    for LA><ART’s 10 YEAR ANNIVERSARY BENEFIT 
     
    honoring John Outterbridge

     

     

     

       

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    Please RSVP to: rsvp@laxart.org

     

    LA><ART

    7000 Santa Monica Blvd.

    Los Angeles, CA 90038

    Sunday, October 25th, 2015

    Doors open 7:30, piece begins promptly at 8:00 pm 

     

    Cast

    Dominique Cox as Brainchild

    Chorus:

    Julie Brody

    Kate Brown

    Mari Garrett

    Gabie Strong

     

    Costumes by Kelly Marie Conder

    Initiated in 2008, Brainchild is the artist Kathleen Johnson’s nine-part, multi-year fiction and sound project. For each successive part of the sci-fi story, she collaborates with a guest composer who creates a choral work for performance.  Johnson’s narrative follows a girl, Brainchild, who discovers the abandoned structures of an ancient civilization, and slowly begins to understand her own strange connection to its builders. Finding musicality within the language of the Brainchild text itself, composer Mark So has created a score for Part 3 comprised solely of the words on the page, arranged and notated into open fields, dense clusters, and single lines to produce what So calls a “native” reading. As part of HDTS: Epicenter, Part 3 premiered on Oct. 11 at the Mars Desert Research Station, a Mars analog site where Johnson was in residence in 2004 to study the landscape and its use in preparing for life on Mars.

     

     

    About LA><ART

    Founded in 2005, LA><ART is the leading independent contemporary art space supporting artistic and curatorial freedom.  LA><ART is an incubator for the next generation of artists and curators, artist collectives and artist run spaces. The organization is committed to producing newly commissioned works of art, to present experimental exhibitions, public art initiatives, and publications with emerging, mid-career and established local, national and international artists.

     

    LA><ART's programs are produced with generous support from The Andy Warhol Foundation for the Visual Arts; The National Endowment for the Arts; City of Los Angeles, Department of Cultural Affairs; The Los Angeles County Arts Commission; Nathan Cummings Foundation, with the support and encouragement of Roberta Friedman Cummings, Dashiell Driscoll and Clea Shearer; The Philip and Muriel Berman Foundation; California Community Foundation; The Anthony & Jeanne Pritzker Family Foundation; Joel Chen; Ruth and Jacob Bloom; the Evans Family Foundation; Stanley and Gail Hollander; Lisa and Leonardo Schiff; Sima Familant; Michael and Joyce Ostin; Joseph Varet and Esther Kim Varet; Brenda R. Potter; the Maurice Marciano Family Foundation; Ron and Sindi Schwartz; Maja Kristin; Larry Mathews and Brian Saliman; Linda Janger; Phil Lord; Anonymous Donors; Claire and Eric Block, and the Offield Family Foundation.

     

    Image: Bill Morrison, consolidatedanomaly.org

     

    Media contact:

    For further information, images, or to arrange an interview, please contact Marika Kielland:
    E: Marika@laxart.org
    T: 323.871.4140

    F: 323.871.4226

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    LA><ART is pleased to present a conversation between Robert Russell and Andrea Bowers in conjunction with Russell’s exhibition Amateurs, currently on view.
     
    LA><ART
    7000 Santa Monica Blvd.
    Los Angeles, CA 90038
    Sunday, August 16th, 2015
    2pm – 3:30pm
    Please RSVP for this free event at: rsvp@laxart.org
     
    Andrea Bowers is a Los Angeles based artist and social activist whose work includes video, drawing, and installation. Bowers’ work invokes political discourses surrounding feminism and violence toward women, immigration, environmental activism, and protest. Bowers’ exhibitions include “Self-Determination”, Kaufmann Repetto, Milan (2015);“Andrea Bowers: #sweetjane”, Pomona College Museum of Art, Claremont CA (2014); “Cultivating the Courage to Sin”, Capitain Petzel, Berlin (2013) “Ni Una Muerta Mas”, National Museum of Contemporary Art, Athens (2011); “The Weight of Relevance, ZKM/Zentrum fr Kunst und Mediatechnologie, Karlsruhe (2008).  
     
    Robert Russell is a Los Angeles based artist. His exhibitions include “Sein und Schein“ Big Pond Artworks, Munich, Germany (2015); “Men Who are Named Robert Russell,” Osmos New York (2013); “Men Who are Named Robert Russell,” Francois Ghebaly Gallery, Los Angeles (2013); “Masters,” Francois Ghebaly Gallery, Los Angeles (2010); “Scattershot,” Anna Helwing Gallery, Los Angeles, 2007.
     
     
    About LA><ART
     
    Founded in 2005, LA><ART is Los Angeles’ leading independent contemporary art space supporting artistic and curatorial freedom. The organization is committed to producing newly commissioned works of art, to present experimental exhibitions, public art initiatives, and publications with emerging, mid-career and established local, national and international artists. LA><ART's programs are produced with generous support from The Andy Warhol Foundation for the Visual Arts; The National Endowment for the Arts; City of Los Angeles, Department of Cultural Affairs; The Los Angeles County Arts Commission; Nathan Cummings Foundation, with the support and encouragement of Roberta Friedman Cummings, Dashiell Driscoll and Clea Shearer; The Philip and Muriel Berman Foundation; California Community Foundation; The Anthony & Jeanne Pritzker Family Foundation; Joel Chen; Ruth and Jacob Bloom; the Evans Family Foundation; Stanley and Gail Hollander; Lisa and Leonardo Schiff; Sima Familant; Michael and Joyce Ostin; Joseph Varet and Esther Kim Varet; Brenda R. Potter; the Maurice Marciano Family Foundation; Ron and Sindi Schwartz; Maja Kristin; Larry Mathews and Brian Saliman; Linda Janger; Phil Lord; Anonymous Donors; Claire and Eric Block, and the Offield Family Foundation.
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    A live sonic happening featuring Los Angeles musicians Craig Wedren,
    Anna Waronker, Steve McDonald,
    Josh Klinghoffer, Eric Erlandson,
    Marcus Congleton, JulianWass, and guests on the occasion of Rob Reynolds Vanishing Point art show and LP release – Performance begins promptly at 7:45 PM.
     
    Dedicated to Pete Phillips.
     
    LA><ART
    FRIDAY MAY 29th, 2015, 7-9PM 
    7000 Santa Monica Blvd.
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    Mar 24
    Tue
    7:30pm
    Please join co chairs 
     
    Charlie Pohlad and Clea Shearer
     
    with hosts
     
    Claire Block, Karyn Lovegrove, Maya McLaughlin
    & Esther Kim Varet
     
    to celebrate LA><ART’s 10 year anniversary at 
     
    LA><ART’s UNGALA
     
    March 24th
    7:30-9:30pm
     
    dinner + dancing
    with dj Michelle Pesce
     
    Lucy's El Adobe Cafe
    5536 Melrose Ave
    Hollywood
     
    The UNGALA is made possible with generous
     support from our partner Phillips.
     
    LA><ART IS THE SPACE FOR ARTISTS.
     
    Presented by
     
     

     

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    LA><ART 
    7000 Santa Monica Blvd. 
    Los Angeles, CA 90038 
    Sunday, March 8th and Sunday, March 22nd, 2015  
    4pm – 6pm on both dates
     
    Please RSVP for this free event at: rsvp@laxart.org  
     
    Remembering Forward presents a series of conversations on photography and temporality. Photography, particularly as a digitized medium, embodies repetition. It also continues to be positioned as a useful means of recollection, an aide de memoir. For the philosopher Søren Kierkegaard, repetition is enacted and accumulates forward in time, the opposite of recollection, a method of recovering that which exists back in time. Kierkegaard’s dialectic offers a framework for examining how photography may reconfigure the temporal dimension. In what ways do artists working with photography contribute to the temporal conditions that define repetition and recollection? How do these artists engage temporality, through the production, reception, and circulation of their works? What axis of time does photography propose when production today continues to accelerate the proliferation, duplication, and disposal of images? A selection of different practitioners will engage these questions at LA><ART, advancing discussions surrounding photographic practices today, as well as issues of image production more broadly. 
     
    On Sunday, March 22nd (4 - 6pm):

    John Houck

    Gina Osterloh 

    Ryan Linkof

    A.L. Steiner

    Rhea Anastas

    Shannon Ebner

    John Tain

    Victoria Fu 

    Kim Schoen

    Chris Sharp

    Olivier Richon

     
    This program at LA><ART is organized in conjunction with the symposium,
    Photography and PhilosophyMarch 13 -14, 2015 at the Los Angeles County Museum of Art and co-organized with nonsite.org.
     
    Image by John Stezaker, Crowd, 2013
  • View Event >
    LA><ART 
    7000 Santa Monica Blvd. 
    Los Angeles, CA 90038 
    Sunday, March 8th and Sunday, March 22nd, 2015  
    4pm – 6pm on both dates
     
    Please RSVP for this free event at: rsvp@laxart.org  
     
    Remembering Forward presents a series of conversations on photography and temporality. Photography, particularly as a digitized medium, embodies repetition. It also continues to be positioned as a useful means of recollection, an aide de memoir. For the philosopher Søren Kierkegaard, repetition is enacted and accumulates forward in time, the opposite of recollection, a method of recovering that which exists back in time. Kierkegaard’s dialectic offers a framework for examining how photography may reconfigure the temporal dimension. In what ways do artists working with photography contribute to the temporal conditions that define repetition and recollection? How do these artists engage temporality, through the production, reception, and circulation of their works? What axis of time does photography propose when production today continues to accelerate the proliferation, duplication, and disposal of images? A selection of different practitioners will engage these questions at LA><ART, advancing discussions surrounding photographic practices today, as well as issues of image production more broadly. 
     
    On Sunday, March 8th (4 - 6pm):

    Becky Beasley

    John Stezaker  (screening and recorded conversation)

    Phil Chang

    James Nisbet 

    Farrah Karapetian

    Joanna Szupinska-Myers 

    Jibade-Khalil Huffman 

    Matthew Poole

    Zoe Crosher

     
     
    This program at LA><ART is organized in conjunction with the symposium,
    Photography and PhilosophyMarch 13 -14, 2015 at the Los Angeles County Museum of Art and co-organized with nonsite.org.
     
    Image by John Stezaker, Crowd, 2013
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    3-4pm

    Please RSVP for this free event at: rsvp@laxart.org 

    Sound and listening have been consistent elements in T Kelly Mason’s work spanning two decades. For Mason’s presentation at LA><ART, the artist reflects on the spatiotemporal dimension of sound in his work, with more recent projects including, “Rain Rain Rain" (2006), "Relay" (2007), “Stars, Stairs, Potemkin Exorcism” (2012), “Atmospheric” (2013), and his 2014 performance “Living in Volkswagen Buses (For Julian Beck).” Mason’s use of pre-recorded audio and sound installation is frequently employed to ask questions about the limits of perception, and the corporeal and cultural implications of acoustic space. While engaging with these questions over the course of his presentation, the artist will play a selection of recordings that inform his specific artistic projects, as well as his broader interests in the production, reception, and consumption of music and sound culture.

     
    T Kelly Mason’s presentation will be followed by a conversation with MOCA Senior Curator, Bennett Simpson.

     

    LA><ART 

    7000 Santa Monica Blvd. 

    Los Angeles, CA 90038

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    LA><ART
    Edition Sale

    Friday
    February 6TH

    All DAY
    11-6PM


    7000 SANTA MONICA BOULEVARD
    RSVP OFFICE@LAXART.ORG

    FOR MORE INFORMATION ON BENEFITS OF MEMBERSHIP
    MARIKA@LAXART.ORG

     

  • View Event >
    With Marwan Al-Sayed
    and Billy Cotton 
    Moderated by Mayer Rus
     
    7:00pm
     
    LA><ART in Hollywood
    7000 Santa Monica Blvd.
    Los Angeles, CA 90038
     
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