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Jill Greenberg
Glass Ceiling American Girl Doll Billboard Sep 26 - Oct 9, 2011
LA><ART is pleased to present a billboard by Los Angeles based photographer Jill Greenberg entitled Glass Ceiling: American Girl Doll. The insertion of this work amongst the billboards on Sunset Boulevard will provide a compelling juxtaposition of imagery and pictorial intent.
In 2010 Greenberg hired professional synchronized swimmers and photographed them while herself scuba diving in a Culver City swimming pool. She was severely physically restricted in a wetsuit, with over 50 pounds of scuba gear including an air tank, weights and a massive and state-of-the-art camera system with underwater lights, which captured the 180 megapixel images allowing for an unprecedented level of information in each image. Glass Ceiling marks Greenberg’s return to her explorations throughout the 90s of the depiction of the female body. Greenberg began working with this problematic years ago with a series of drawings of “women as seen by men,” isolating genitalia and heels. |
Press Release
LA><ART PUBLIC ART INITIATIVES PRESENTS A BILLBOARD BY JILL GREENBERG
IN LOS ANGELES ON SUNSET BLVD. AT FAIRFAX
Jill Greenberg: Glass Ceiling
LA><ART Billboard
September 26th –October 9th, 2011
Sunset Blvd. at Fairfax, Northwest corner, viewable while driving East LA><ART is pleased to present a billboard by Los Angeles based photographer Jill Greenberg entitled Glass Ceiling: American Girl Doll. The insertion of this work amongst the billboards on Sunset Boulevard will provide a compelling juxtaposition of imagery and pictorial intent.
In 2010 Greenberg hired professional synchronized swimmers and photographed them while herself scuba diving in a Culver City swimming pool. She was severely physically restricted in a wetsuit, with over 50 pounds of scuba gear including an air tank, weights and a massive and state-of-the-art camera system with underwater lights, which captured the 180 megapixel images allowing for an unprecedented level of information in each image. Glass Ceiling marks Greenberg’s return to her explorations throughout the 90s of the depiction of the female body. Greenberg began working with this problematic years ago with a series of drawings of “women as seen by men,” isolating genitalia and heels. As an artist famed for her hyper-real visual style, Greenberg self-consciously utilizes the full power of the still image to confront the viewer with spectacular color and extreme usage of artificial lighting techniques. Her interest in politics began with End Times, the portraits of crying toddlers, titled with various pithy catchphrases of the time: Shock and Awe, and Left Behind she straddles the line between commercial images, advertising and celebrity portraiture. Jill Greenberg’s work has appeared in numerous publications such as the New Yorker, Harper’s, Washington Post, Boston Globe, New York Sun, and French Photo. Her photographs have been exhibited in a number of gallery and museum exhibitions around the world including: ClampArt Gallery (New York), Jaski Art Gallery (Amsterdam), Museum Dr. Guislian (Ghent, Belgium), acte2galerie (Paris), Annenberg Foundation Photography Space (Los Angeles), Greenaway Art Gallery (Australia), and Chelsea Art Museum (New York City), amongst others. Greenberg’s work is also represented in permanent collections such as the Portland Art Museum (Oregon), The Kemper Museum (Kansas City, Missouri), The West Collection, Paoli, PA), The Hallmark Photographic Collection, Kansas City, MO, National Academy of Sciences (Washington, DC), and the Southeast Museum of Photography (Daytona Beach, Florida). After publishing two successful books of monkey and bear portraits, Greenberg’s Horses book will be released by Rizzoli fall 2012. Additional “Glass Ceiling” pieces can be seen in Los Angeles from September 30 - October 3, 2011 at ClampArt’s booth at Pulse during Art Platform. ABOUT L.A.P.D.
L.A.P.D.—LA Public Domain encompasses LA><ART’s public art initiatives with support from ForYourArt. Furthering LA><ART’s mission of bringing new art to new audiences, L.A.P.D. produces and presents artistic and curatorial interventions in experimental contexts. This initiative expands LA><ART’s commitment to artists by providing a platform and support for ambitious and critical public interventions that address diverse audiences and respond directly to the complexities that mold contemporary urban spaces.
Press Coverage | download all Press (.zip file) |